"I met Nottz at Nightlife’s Dilla Tribute in L.A. and we just kept in contact. I had always been a fan of Nottz since the 90s. He sent me a bunch of beats and at first I had no idea what to do with any of them, but eventually it hit me… When Nottz sent me that batch – that particular beat stood out. It had the same chord progression as the Otis Leville, so I just went with it."
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